The Film-Makers' Cooperative

The Film-Makers' Cooperative Est. 1961. "The coolest film organization in the world." —John Waters

The Film-Makers’ Cooperative is the largest archive and distributor of independent and avant-garde films in the world. Created by artists in 1961 as the distribution branch of the New American Cinema Group, the Coop has more than 5,000 films, videotapes, and DVDs in its collection.

R.I.P. Yayoi Kusama (1929–2026), groundbreaking painter, performer, sculptor, installation artist, and poet. A key figur...
08/27/2026

R.I.P. Yayoi Kusama (1929–2026), groundbreaking painter, performer, sculptor, installation artist, and poet. A key figure in the New York avant-garde and Pop art movements of the 1960s, and a major influence on artists like Andy Warhol and Claes Oldenburg, Kusama was the world’s top-selling female artist, renowned for her use of polka-dots. She appears in Jud Yalkut’s psychedelic classic KUSAMA’S SELF-OBLITERATION (1967, pictured), a cornerstone work in the collection of the Film-Makers’ Cooperative.

Join us for two nights of film about immigrant stories, gardens and urban space featuring the NYC premiere of Zoe Beloff...
08/17/2026

Join us for two nights of film about immigrant stories, gardens and urban space featuring the NYC premiere of Zoe Beloff's film JOSEPHINE THE SINGER OR THE MOUSE PEOPLE, a retelling of Franz Kafka’s last short story staged in the gardens of the Lower East Side, alongside a selection of 16mm shorts sourced from The Film-Makers’ Cooperative and Canyon Cinema including Bruce Baille’s MR. HAYASHI, Stan Brakhage’s THE GARDEN OF EARTHLY DELIGHTS, Melissa Friedling’s GARDEN ROLL BOUNCE PARKING LOT, Jack Smith’s SCOTCH TAPE, and Luján Montes’s INTEMPERIE/OUT IN THE OPEN.

This is the first of a two part series named for the Yiddish slang term KESSELGARTEN—meaning any noisy, chaotic situation or “ruckus”— that comes from the Eastern-European-accented pronunciation of “Castle Garden,” America’s first immigration processing center decades before Ellis Island, opened on the site of a former pleasure garden at the southern tip of Manhattan. These films probe the relationships between immigrant communities and green, unruly urban spaces, particularly here in NYC, and more broadly interrogate the definition of a garden: both as a serene and beautiful place for communion with nature, and as a public space of encounter, contest, labor & urban reclamation, spaces that are continuously remade by their communities. Co-curated by Matt McKinzie, Philomena Mattes and Zoe Beloff.

We hope to see you there!

Join us for two nights of film about immigrant stories, gardens & urban space at 6th Street and Avenue B Community Garde...
08/17/2026

Join us for two nights of film about immigrant stories, gardens & urban space at 6th Street and Avenue B Community Garden! Night one on SUNDAY, AUGUST 23RD @ 8PM features the NYC premiere of Zoe Beloff’s short JOSEPHINE THE SINGER OR THE MOUSE PEOPLE, a retelling of Franz Kafka’s last short story staged in the gardens of the Lower East Side, alongside a selection of 16mm shorts sourced from The Film-Makers’ Cooperative and Canyon Cinema including Bruce Baille’s MR. HAYASHI, Stan Brakhage’s THE GARDEN OF EARTHLY DELIGHTS, Melissa Friedling’s GARDEN ROLL BOUNCE PARKING LOT, Jack Smith’s SCOTCH TAPE, and Luján Montes’s INTEMPERIE/OUT IN THE OPEN.

Night two on THURSDAY, SEPTEMBER 10TH @ 8PM features Chantal Akerman’s rarely screened HISTOIRES D'AMÉRIQUE: FOOD, FAMILY AND PHILOSOPHY, a narration of Ellis Island-era immigrant stories by Jewish legends of the downtown avant-garde, shot in overgrown vacant lots along the East River shortly before their gentrification. The full-length program will be preceded by Marie Menken’s 16mm short GLIMPSE OF THE GARDEN.

The series is named for the Yiddish slang term KESSELGARTEN—meaning any noisy, chaotic situation or “ruckus”— that comes from the Eastern-European-accented pronunciation of “Castle Garden,” America’s first immigration processing center decades before Ellis Island, opened on the site of a former pleasure garden at the southern tip of Manhattan. These films probe the relationships between immigrant communities and green, unruly urban spaces, particularly here in NYC, and more broadly interrogate the definition of a garden: both as a serene and beautiful place for communion with nature, and as a public space of encounter, contest, labor & urban reclamation, spaces that are continuously remade by their communities. Co-curated by Matt McKinzie, Philomena Mattes, and Zoe Beloff. This event is free to attend and open to the public!

“It is an ancyent MarinereAnd he stoppeth one of three:‘By thy long grey beard and thy glittering eyeNow wherefore stopp...
07/31/2026

“It is an ancyent Marinere
And he stoppeth one of three:
‘By thy long grey beard and thy glittering eye
Now wherefore stoppest me?’

‘The bridegroom’s doors are open’d wide
and I am next of kin;
The guests are met, the Feast is set
Mays’t hear the merry din.’

-The Rime of the Ancient Mariner by Samuel Taylor Coleridge

Lawrence Jordan’s THE RIME OF THE ANCIENT MARINER, created in collaboration with Orson Welles and with the help of a grant from the National Endowment of the Arts is Jordan at his most extravagant and whimsical. This film utilizes the paintings and illustrations of the famous printmaker and illustrator Gustave Doré set to a haunting soundtrack and Orson Welles’ sharp recitation. These elements coalesce into a 40 minute epic rendition of Samuel Taylor Coleridge’s 1798 poem.

“The film, far from being a mere visual accompaniment to the poem, has an integrity of its own. Throughout the film, serpents, butterflies and other creatures from Jordan’s earlier works such as DUO CONCERTANTES and GYMNOPEDIES appear, bearing the unmistakable signature of the artist, creating mysteries, subtleties and rich asides. These are the strokes of genius, the touch of the craftsman, which have turned old material into new, translating 19th century art into a totally new kind of masterpiece. The Mariner lives as he has never lived before.” – Carmen Vigil, San Francisco Cinematheque

Come see THE RIME OF THE ANCIENT MARINER and many other equally brilliant Lawrence Jordan films on Saturday, August 1st, at 7pm. Non Films will present a fascinating mini-retrospective of the films of Lawrence Jordan, consisting of 16mm prints culled entirely from the Coop’s archive!

Jose Rodriguez-Soltero’s JEROVI is a boldly erotic, sensually dreamlike portrait of Jeroví Sansón Carrasco, who commissi...
07/23/2026

Jose Rodriguez-Soltero’s JEROVI is a boldly erotic, sensually dreamlike portrait of Jeroví Sansón Carrasco, who commissioned the work. With JEROVI, Rodriguez-Soltero offers a Narcissus for the 1960s period of sexual revolution. His beautiful male subject clothed at first in rich brocade, but later n**e, is photographed lingeringly in a lush garden.

On Saturday, July 25th, at 8:30pm, join us at Le Petit Versailles Community Garden for a program of avant-garden films curated in collaboration with Allied Productions and Zoe Beloff! Spanning 1915 to 2010 and sourced predominantly from the Coop’s collection, these films invoke vernal imagery and public spaces to comment on the distinct yet often intersecting issues of class, immigration, q***r identity, HIV/AIDS, and capitalist exploitation.

Made with the assistance of the National Endowment of the Arts, Stan Brakhage’s THE GARDEN OF EARTHLY DELIGHTS is a coll...
07/21/2026

Made with the assistance of the National Endowment of the Arts, Stan Brakhage’s THE GARDEN OF EARTHLY DELIGHTS is a collage entirely made of mountain zone vegetation. As the title suggests it is an homage to (but also an argument with) Hieronymus Bosch. It pays tribute as well, and more naturally to The Tangled Garden of J. E. H. MacDonald and the flower paintings of Emil Nolde.

On Saturday, July 25th, at 8:30pm, join us at Le Petit Versailles Community Garden for a program of avant-garden films curated in collaboration with Allied Productions and Zoe Beloff! Spanning 1915 to 2010 and sourced predominantly from the Coop’s collection, these films invoke vernal imagery and public spaces to comment on the distinct yet often intersecting issues of class, immigration, q***r identity, HIV/AIDS, and capitalist exploitation.

Lawrence Jordan’s OUR LADY OF THE SPHERE is a one of a kind collage work based on the Bardo Thodol, known in the west as...
07/17/2026

Lawrence Jordan’s OUR LADY OF THE SPHERE is a one of a kind collage work based on the Bardo Thodol, known in the west as The Tibetan Book of the Dead. Utilizing cutouts of antique line engravings, Jordan creates a frenetic atmosphere reflective of the struggle between death and rebirth, antiquity and modernity, and much more.

Come see OUR LADY OF THE SPHERE on Saturday, August 1st, at 7pm, where Non Films will be presenting a fascinating mini-retrospective of the films of Lawrence Jordan, consisting of 16mm prints culled entirely from the Coop’s archive!

“We are not joining together to make money. We are joining together to make films. We are joining together to build the ...
07/15/2026

“We are not joining together to make money. We are joining together to make films. We are joining together to build the New American Cinema. And we are going to do it together with the rest of America, together with the rest of our generation. Common beliefs, common knowledge, common anger and impatience binds us together—and it also binds us together with the New Cinema movements of the rest of the world… We don’t want false, polished, slick films; we prefer them rough, unpolished, but alive. We don’t want rosy films, we want them the color of blood.” —The First Statement of the New American Cinema Group

On this day in 1961, the New American Cinema Group, soon to be known as The Film-Makers’ Cooperative, was incorporated.

Happy 65th birthday to the FMC!

“A lyric, tender, intensely subjective exploration of a flower garden, with extreme magnification, flashing color harmon...
07/14/2026

“A lyric, tender, intensely subjective exploration of a flower garden, with extreme magnification, flashing color harmonies.” – Cinema 16

Marie Menken’s GLIMPSE OF THE GARDEN she delicately explores the layers of a spring garden, shifting between various vignettes of all shapes and sizes. She pastes together images that illuminate hidden details and texture within the greenery that surrounds her.

Come see GLIMPSE OF THE GARDEN and many other films about plants at ‘Come to My (Avant-)Garden’ at Le Petit Versailles Community Garden on June 25th!

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475 Park Avenue South, 6th Floor
New York, NY
10016

Opening Hours

Monday 10:30am - 5:30pm
Tuesday 10:30am - 5:30pm
Wednesday 10:30am - 5:30pm
Thursday 10:30am - 5:30pm
Friday 10:30am - 5:30pm

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