12/02/2022
Mary Cassatt became the only American artist to exhibit her art with the Impressionists in Paris. Her signature subjects were portraits of women and portrayals of mothers and children caught in everyday moments.
While fellow French impressionists like Renoir and Degas painted beautiful dances and the life that was happening both upon and behind the stage, Mary Cassatt depicted a woman in the audience watching the dancers instead. In 19th France, the gaze of the observer was very much structured by issues of economic status. “In The Lodge” manages to show the complex relationship between the gaze, public spectacle, gender, and class privilege. The woman in the painting is shown holding opera glasses up to her eyes; but instead of tilting them down (as she would if she were watching the performance below), her gaze is level. She peers straight across the chamber - perhaps at another member of the audience. And if you look closely you will notice that, in turn, and in one of the boxes across the room, a gentleman is gazing at her. The woman is then caught between his gaze and ours (as the viewer) even as she spies another!