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Viandando Luxury Travel Founded in Florence by an enthusiastic traveler and true Florentine, V is redefining the words ‘in

Founded in Florence by an enthusiastic traveler and true Florentine, Viandando is redefining the words ‘inbound tour operator’ by working with leisure clientele with the purpose of promoting a new philosophy of travel: The Unconventional Luxury.

Our travelers kept saying the same thing: what they remembered was never the five-stop tour with the printed notes. It w...
16/10/2026

Our travelers kept saying the same thing: what they remembered was never the five-stop tour with the printed notes. It was the afternoon they ended up in someone’s kitchen, eating pasta that existed on no menu, drinking something the w**emaker had pulled from behind a door that did not look like it led anywhere.

So we started designing around that afternoon.

One family. One producer who walks you through the vineyard and tells you why his grandfather planted Sangiovese on this slope and not the one beside it. Why they pick ten days later than the neighbor. Why the 2019 is still in barrel and the 2016 is in a part of the cellar he does not normally open.

He opens both. You taste them standing between the barrels, in the cold and the dark, in the exact place they were made.

Then lunch happens. The kitchen is already cooking. The oil was pressed this week at the frantoio down the road. The bread is from this morning. The cheese is from the farm across the valley. The w**e is from the vineyard you walked through an hour ago.

Everything on the table comes from a radius you could cover on foot in twenty minutes.

*Visual imagined with AI, the real Italy is even better

There is a Florence in October that only exists if you know who to call.The private collections, first. The palazzi alon...
13/10/2026

There is a Florence in October that only exists if you know who to call.

The private collections, first. The palazzi along the Arno and in the streets behind Santa Trinita that are closed to the public year-round. Rooms with Pontormo, Bronzino, Andrea del Sarto, paintings that have hung on the same wall in the same family’s house since the century they were commissioned. These families do not open for tours. They open for introductions. October is when the introductions happen, over a glass of something excellent, in a room where the frescoes on the ceiling have never been photographed for a catalogue.

The ateliers, second. Via della Vigna Nuova and Via de’ Tornabuoni in October are not what they are in summer. The first cashmere selections arrive from the mills in Prato and Biella. The leather houses bring out what they held back. A bespoke order that in July would have taken four months can be completed in three weeks because the artisan has his bench back. In Oltrarno, the silversmiths and bookbinders and frame-makers who in summer barely had time to look up from their work will now sit with a client, draw a design, discuss a commission, and begin it the following morning.

The table, third. The restaurants that matter, the ones that cook seriously and have never needed a social media presence, change their menus in October as if a switch has been thrown. Game arrives. The first tartufo bianco appears, shaved at the table without ceremony. The olio nuovo comes in from the hills, green and fierce, placed on the table without being asked for. The chestnuts. The porcini. The ribollita that only works with October’s cavolo nero.

And then the cultural season. The opera at the Teatro del Maggio. The chamber concerts in deconsecrated churches where the acoustic is the reason the building exists. A private recital in a palazzo that you did not know held concerts until someone mentioned it at dinner the night before.

This is October in Florence.

*Visual imagined with AI, the real Italy is even better

There is a moment in October, in a stone building in the Tuscan or Umbrian hills, when a machine that has been running s...
09/10/2026

There is a moment in October, in a stone building in the Tuscan or Umbrian hills, when a machine that has been running since dawn produces a thin stream of liquid the color of liquid emerald.

This is olio nuovo. New oil.
And it is the single most time-sensitive ingredient in Italian cooking.

It comes out of the frantoio, the olive mill, slightly warm from the pressing, opaque, unfiltered, so green it looks like someone crushed grass into it. You taste it and three things happen in sequence: first a wave of fresh herb, almost like cut grass and green tomato. Then fruit, round and warm. Then, at the back of your throat, a sharp peppery kick, the pizzicore, that makes you cough the first time and smile every time after.

This is not olive oil as you know it. The clear, golden, mild liquid in your kitchen at home is olive oil that has been filtered, settled, shipped, stored, and stripped of everything that makes it alive. Olio nuovo is alive. It is cloudy with microscopic olive particles. It tastes like the tree it came from and the soil the tree grew in and the specific week it was picked. It lasts about six weeks before it begins to calm down and become ordinary oil. You cannot ship it in time. You cannot bottle the experience.

The tradition in Tuscany is the fettunta. A thick slice of pane sciocco, the unsalted Tuscan bread, toasted over embers or on a grill, rubbed with a cut clove of garlic, and then drenched, not drizzled, drenched, in the new oil. Coarse salt. Nothing else. It is one of the most transcendent things you will ever eat, and it contains four ingredients.

We take travelers to the frantoi during pressing season.
This is the Italy you can only taste in the place and in the moment.

*Visual imagined with AI, the real Italy is even better

A mother-daughter trip. Milan. Lake Maggiore. And a journey designed entirely around them:"The team at Viandando helped ...
06/10/2026

A mother-daughter trip. Milan. Lake Maggiore. And a journey designed entirely around them:

"The team at Viandando helped us plan an amazing mother daughter trip to Milan and Lake Maggiore, Italy. We had such a perfect balance of history, art, culture, food and w**e, with some time for spa and relaxation. The hotels they picked for us were amazing. We loved our drivers, guides and all of the concierge services provided! The time they took to create a perfect vacation that encompassed all of our interests was fantastic and this was truly an unforgettable vacation. We greatly appreciated them for always being available to answer any questions before and during our vacation and can't wait to plan a future travel!"

History, art and culture. Great Italian food and w**e. Beautiful hotels. Trusted private drivers and guides. A little spa time. And enough space in the itinerary to actually enjoy it all.

Priti described their journey with Viandando as “truly an unforgettable vacation.”

There may be no better compliment.

Creating a luxury trip is about understanding the people taking it and taking care of the details so they can simply enjoy being here.

Thank you, Priti, for trusting us with your time in Italy.
We hope this was only the first of many journeys together.

Ph Credits: Priti Chandiwala-Mody on Viandando's Google Review

In 1928, a restaurateur in a small Piedmontese town called Alba did something that nobody had thought to do before. His ...
02/10/2026

In 1928, a restaurateur in a small Piedmontese town called Alba did something that nobody had thought to do before. His name was Giacomo Morra and he started mailing white truffles to famous people.

He sent one to Marilyn Monroe. He sent one to Harry Truman. He sent one to Winston Churchill, to Joe DiMaggio, to Emperor Haile Selassie of Ethiopia. A fungus that grew underground in the forests of the Langhe, that smelled like nothing else on earth, that could not be cultivated or preserved or explained, was suddenly arriving in the mailboxes of the most powerful and glamorous people alive.

It was, by any measure, one of the most effective pieces of food marketing in history. Within a decade, the white truffle of Alba had gone from a regional curiosity to the most expensive ingredient in the world. Morra did not change the truffle. He changed who knew about it.

Two nights ago, at midnight in Piazza Risorgimento in Alba, the Capodanno del Tartufo marked the official opening of the 2026 search season. The trifolao, the Piedmontese truffle hunters, paraded through the streets with their dogs. A toast was raised. And before dawn, they went into the woods.

The white truffle, Tuber magnatum Pico, cannot be farmed. This is the single most important fact about it. Black truffles can be inoculated into the root systems of young trees and cultivated with reasonable success. The white truffle refuses every attempt. It grows where it chooses, in symbiosis with the roots of oak, hazel, poplar, and linden trees, in soil whose exact composition has been studied for decades and never reliably reproduced. Every white truffle in history was found by a dog in a forest before sunrise.

The trifolao goes out at night or in the hours before dawn with his tabui, his trained dog, usually a Lagotto Romagnolo or a mixed breed whose nose he trusts more than any instrument. The hunting grounds are family secrets. The dog finds the scent, signals, digs. The trifolao finishes the dig by hand with a small curved spade called a sapin, because the truffle is fragile and a rough extraction destroys it.

The 96th Fiera Internazionale del Tartufo Bianco d'Alba opens next Friday, October 10, and runs through December 6. The Mercato Mondiale in the Cortile della Maddalena is open every Saturday and Sunday. The World Truffle Auction takes place in November at the Castello di Grinzane Cavour, a fourteenth-century fortress overlooking the Barolo vineyards.

The Langhe in October are the most beautiful version of themselves. The Nebbiolo vines are the last to be harvested, their leaves turning deep crimson. The hazelnut groves are golden. The morning fog sits in the valleys like milk. And the dish that everything leads to is the simplest one: tajarin, the Piedmontese egg pasta made with thirty yolks per kilo of flour, dressed with nothing but butter, with a white truffle shaved at the table until you say stop, though you will not say stop.

We design the Langhe during truffle season for travelers who want the full experience. The predawn hunt with a trifolao and his dog. The lunch in a family trattoria where the truffle is shaved at the table. The vineyards. The Fiera. The thing that cannot be grown and can only be found.

*Visual imagined with AI, the real Italy is even better

While the rest of Europe reaches for coats and the Italian north settles into its first autumn chill, the south is still...
29/09/2026

While the rest of Europe reaches for coats and the Italian north settles into its first autumn chill, the south is still at twenty-eight degrees. The Ionian coast of Sicily. The Adriatic shore of Puglia. The beaches of Calabria, the islands off the western coast, the small coves of Sardinia that were unreachable in August because every boat on the island was booked.

They are all still there. They are warm.

The sea temperature right now is roughly twenty-five degrees, warmer than it was in June, because the Mediterranean stores heat through the summer and releases it slowly through October. A swim off the rocks at Polignano a Mare this week, or in the old tufa quarries of Favignana, or in a small bay below Taormina, is physically warmer than the same swim in early July, with the difference that you are likely the only person in the water.

The restaurants have transformed. The kitchens that in August were cooking for hundreds, stretched thin, substituting, cutting corners because the demand was relentless, are now cooking for a fraction of that. The chef has time. The ingredients are at their absolute peak. The last summer tomatoes are the deepest red of the year. The figs are finishing in a final burst of sweetness. The first pomegranates have split. In Bronte, on the slopes of Etna, the pistachio harvest has just ended. In the Puglian countryside, the olive trees are heavy and the frantoi are preparing for the pressing that begins in a few weeks.

The light has changed too. It is lower, warmer, more directional. The white-on-white towns of Puglia, Ostuni, Cisternino, Locorotondo, glow differently in late September than in August. The stone catches more shadow. The streets have more depth. The photographs you take this week will look better than anything you shot in July, because the light is doing the work.

If you have been thinking about Italy and assumed the season was over, it is not. The south has two or three perfect weeks left. This is your window.

*Visual imagined with AI — the real Italy is even better

For centuries, in the mountain villages of the Italian Apennines, the chestnut tree was the difference between eating an...
25/09/2026

For centuries, in the mountain villages of the Italian Apennines, the chestnut tree was the difference between eating and not eating.

Wheat would not grow at that altitude. Olive trees struggled. Vineyards were unreliable. But the castagno, the sweet chestnut, thrived in the cold, the rain, the poor rocky soil, and it produced, every October, a fruit so versatile and so calorie-dense that entire communities survived on it for six months of the year. They called it il pane dei poveri. The bread of the poor.

The chestnuts were dried in small stone huts called metati, sometimes for weeks, over a slow fire of chestnut wood. The dried fruit was ground into flour in stone mills. The flour became polenta dolce, castagnaccio, necci, frittelle, soups, breads. Families measured their wealth not in land but in chestnut trees. A dowry could be paid in trees. A feud could begin over one.

The caldarrosta, the roasted chestnut, was the simplest version. A padella bucata, a perforated iron pan, over the embers of the fireplace. Each chestnut incised with a knife so it would not burst. The pan shaken every few minutes, the shells blackening, the kitchen filling with a smoke that smells like woodfire and caramel and the specific sweetness of October. When they were done, wrapped in a cloth or in yesterday's newspaper, peeled at the table with burned fingers, eaten with the year's new w**e.

This was a Tuesday night in November for a hundred generations of mountain Italians.

The tradition survived because it became something else. The caldarrostaio, the street vendor with his metal drum and charcoal brazier, appeared in the Italian cities as the rural populations moved down from the mountains in the twentieth century. He brought the smell with him. Today, in the last week of September and through October and November, he materializes on street corners in Rome, Florence, Milan, Naples, selling paper cones of caldarroste to people who no longer need them for survival but who need them, somehow, for the season to feel complete.

And in the villages, the sagre. Right now, across Tuscany, Lazio, Calabria, Emilia, Campania, the chestnut festivals are beginning. Long tables in piazzas. Caldarroste served in paper cones. Castagnaccio on wooden boards. Local w**e in plastic cups. A band playing songs everyone knows. The smell of woodsmoke in cold air. A village of three hundred people feeding five hundred visitors the thing they have been feeding themselves for a thousand years.

We take travelers to these when the timing works. They are not listed in any guidebook. They are the Italy that runs on its own clock.

*Visual imagined with AI — the real Italy is even better

Something shifted this morning.It happens every year on this date, and every year, if you are paying attention, you feel...
22/09/2026

Something shifted this morning.

It happens every year on this date, and every year, if you are paying attention, you feel it before you understand it.

The air is different. Not colder, not yet, just different. Thinner. Clearer. The haze that sat over the Italian summer like a warm blanket has lifted and the edges of things have sharpened. The hills are more defined. The sky is a deeper blue. And the light, which has been overhead and white and flat for three months, has dropped to an angle that changes everything it touches.

Today is the autumn equinox. Twelve hours of light, twelve hours of dark, balanced exactly, for one day only. From tomorrow the balance tips. The evenings will shorten. The afternoons will deepen. By October the golden hour will begin at four instead of seven, and it will last longer, and it will be more beautiful, and there will be fewer people here to see it.

This is the hinge week of the Italian year.

The summer is not over, exactly. The sea along the southern coasts is still twenty-three degrees. In Puglia and Sicily you can swim comfortably until mid-October. But the rhythm has changed. The beach umbrellas are folded and stacked. The seaside restaurants that served four hundred covers a night in August are down to forty and cooking better for it. The cities have exhaled. Rome is walkable again. Florence belongs to the Florentines.

In the countryside, the transformation is physical. The vendemmia is finishing in Chianti and Montalcino. The vines that were uniform green in July are now a patchwork of gold, amber, rust, and deep crimson. The first chestnuts are falling in the forests of the Casentino and the Mugello, still in their spiny green casings. The porcini are at their peak in the Apennines. In two weeks the tartufo bianco season opens in Alba and the Langhe will fill with a different kind of pilgrim entirely.

The produce at the markets has shifted overnight. The tomatoes and peaches of summer are giving way to pumpkin, cavolo nero, persimmons, the first pressed olive oil. In Umbria, the frantoi are preparing for the olive harvest that begins in late October. The country is turning inward.

And the light. The light is the real story. At this latitude, in the last week of September, the sun arrives at an angle that does something to the Italian landscape that three months of summer cannot do. It warms without flattening. It gilds without bleaching. The stone of a Tuscan farmhouse at five in the afternoon this week looks like the stone in a Piero della Francesca painting, because Piero was painting this exact light, at this exact time of year, in a town forty minutes from where we are sitting right now.

If you have ever thought about autumn in Italy, this is the week it begins. It is, in our considered opinion, the most beautiful month in the most beautiful country. And almost nobody is here.

*Visual imagined with AI — the real Italy is even better

There is a tension in the Italian countryside right now that you can feel if you know where to look.The grapes are ready...
18/09/2026

There is a tension in the Italian countryside right now that you can feel if you know where to look.

The grapes are ready. And the weather is doing what the weather always does in mid-September, which is to become unreliable at the worst possible moment. A w**emaker in Chianti told us last week that he had not slept properly in ten days. This is normal. This is vendemmia.

The grape harvest in Italy is not a season. It is a compressed emergency disguised as a tradition. The fruit reaches its peak sugar and acidity in a window of days, not weeks. If rain falls at the wrong time, the skins split. If humidity rises, mold follows. If you wait too long for the perfect afternoon, you may lose the morning. Every serious w**emaker in Italy spends September making a series of small, irreversible, consequential decisions based on a combination of chemistry, experience, instinct, and the weather forecast on their phone.

The regulations make it harder, deliberately. For many of Italy's most prestigious DOCG w**es, machine harvesting is prohibited. Brunello di Montalcino. Barolo. Barbaresco. Amarone della Valpolicella. The grapes must be cut by hand, cluster by cluster, sorted in the vineyard, carried in small crates. In an era when a self-driving car can cross a country, the most valuable agricultural product in Italy is still harvested by a person with a pair of short curved scissors and a sore back.

This is not inefficiency. It is insistence. The Italian philosophy of w**e has always been that the hand knows what the machine cannot, that the eye makes decisions the sensor misses, that the grape cluster that looks perfect from above may be damaged underneath and only a human thumb will find it. It is a philosophy that costs a great deal of money to maintain. It is also the reason the w**es taste the way they do.

Each region is on its own clock. The Chardonnay in Franciacorta came in weeks ago. The Sangiovese in Chianti is being cut this week. The Nebbiolo in Piedmont, which is always the last major grape harvested in Italy, will not be ready until the second or third week of October. The w**emakers in the Langhe are watching and waiting while everyone around them is already finished.

And then there is the pranzo della vendemmia. The harvest lunch. Long tables set between the rows. The workers, the family, the neighbors who came to help. Pasta, bread, cold cuts, cheese from the farm down the road, last year's w**e in unlabeled bottles. No courses. No presentation. Just food in enormous quantities for people who have been bending over vines since six in the morning.

We arrange vendemmia experiences for our travelers.

*Visual imagined with AI — the real Italy is even better

Today the schools reopened in Tuscany.If you are in Florence right now, staying in the center, somewhere near the Duomo ...
15/09/2026

Today the schools reopened in Tuscany.

If you are in Florence right now, staying in the center, somewhere near the Duomo or in Oltrarno, and you happened to step outside around eight this morning, you would have witnessed a scene that has nothing to do with tourism and everything to do with why this city is what it is.

Small children in blue grembiuli, the traditional Italian school smock, walking through Piazza Santa Croce holding a parent's hand. A father on a bicycle with a seven-year-old on the back seat, weaving past the Palazzo Pitti toward a school in San Frediano. A mother crouching outside a school door in Via dei Serragli, zipping a jacket, adjusting a backpack strap, whispering something, kissing a forehead, standing up and watching the child disappear through the entrance.

A grandmother in Santo Spirito, walking very slowly with a small boy who is walking even more slowly because he has found a stick and the stick is more interesting than school.

This is Florence at eight in the morning in September. The Florence that is a city of forty thousand families who live here, who send their children to schools that sit in buildings older than their country, who cross piazzas designed by Brunelleschi on their way to buy bread, and who do not think about any of this because it is simply home.

The grembiule is worth explaining. Nearly every Italian primary school requires one, a cotton smock, usually blue, worn over regular clothes. It is the great equalizer. No child arrives in designer clothes. No child arrives feeling less than any other child. Everyone is wearing the same blue smock with the same oversized backpack and the same expression that is half excitement and half dread.

By nine, the streets are clear. The children are inside.
The city switches back to its public self.

But for forty-five minutes this morning, Florence was a neighborhood. And that is the Florence we live in, the one we love, and the one we show our travelers when the timing is right.

*AI Generated visuals

Indirizzo

Via Dell'Eremo 3
Bagno A Ripoli
50012

Orario di apertura

Lunedì 09:00 - 17:00
Martedì 09:30 - 17:00
Mercoledì 09:30 - 17:00
Giovedì 09:30 - 17:00
Venerdì 09:30 - 17:00

Telefono

+39055698337

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